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  • Audience Score - 69860 Votes
  • Director - Andrew Fleming
  • 101 minutes
  • year - 1996
  • Fantasy, Drama
  • Writer - Andrew Fleming

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I disagree with the idea of realism in film is supreme. Don't get me wrong, realism is not bad, I don't think it is. But this obsession with Method has come to really annoy me. I believe in the power and value of classical technique, not simply because it is time-honored and antique, but because it has inherent value. It has the ability to tell a story and relay a character to the audience that is larger than life. Method acting, I feel, peers too much inward to the actor and into the character; its assumption is that we can all relate to the emotional and psychological experiences of the character. While many Method-based performers do do a good job at being believable, the reason I value classical acting more is because it focuses on the audience, on human nature in general. A classical actor, with his exaggerated gestures, pronounced and eloquent dialogue, his overt expressions of emotion, touches on an oft-overlooked fact that we, as creative and imaginative beings, are all dramatists at heart. We are all storytellers, and we all exaggerate, embellish, and overreact. And there is something about an actor's drama which somehow moves us in an inexplicable way. I think there is a mysterious quality to classical acting; we see that it isn't particularly realistic, yet somehow it still moves us. Just like Charlie Chaplin or Buster Keaton do gags which are ridiculous, they remain icons. Just as John Wayne became a legend as an idyllic figure, he stands out in the American mind. And while none of these examples are necessarily good actors (in the modern sense which means they wouldn't earn Oscar gold) the thought remains: idealism and our willingness to suspend our belief in the un-lifelike for a better story. On a final note, modern Hollywood tends to praise the method of the performance rather than the performance itself; one can admire the tools, but it's the end product that really counts. Classical acting is aimed at the performance itself, at focusing on the external factors which move a character. Method, in its modern form, relies heavily on the process- of which the end product may or may not be good (note Jared Leto as the Joker. and Hollywood and the public in general have come to, or so it seems, praise the process rather than the end performance. This is, I think, what most especially annoys me.

Thankx for tha video. Where is tha rest. the end just cuts off...

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